Paul Sorvino, the tough-guy actor — and operatic tenor and figurative sculptor — known for his roles as calm and often courteously quiet but dangerous men in films like “Goodfellas” and television shows like “Law & Order,” died on Monday. He was 83.
His publicist, Roger Neal, confirmed the death, at the Mayo Clinic in Jacksonville, Fla. No specific cause was given, but Mr. Neal said that Mr. Sorvino “had dealt with health issues over the past few years.”
Mr. Sorvino was the father of Mira Sorvino, who won a best supporting actress Oscar for Woody Allen’s “Mighty Aphrodite” (1995). In her acceptance speech, she said her father had “taught me everything I know about acting.”
“Goodfellas” (1990), Martin Scorsese’s acclaimed Mafia epic, came along when Mr. Sorvino was 50 and decades into his film career. His character, Paulie Cicero, was a local mob boss — lumbering, soft-spoken and ice-cold.
Paul Sorvino, the tough-guy actor — and operatic tenor and figurative sculptor — known for his roles as calm and often courteously quiet but dangerous men in films like “Goodfellas” and television shows like “Law & Order,” died on Monday. He was 83.
His publicist, Roger Neal, confirmed the death, at the Mayo Clinic in Jacksonville, Fla. No specific cause was given, but Mr. Neal said that Mr. Sorvino “had dealt with health issues over the past few years.”
Mr. Sorvino was the father of Mira Sorvino, who won a best supporting actress Oscar for Woody Allen’s “Mighty Aphrodite” (1995). In her acceptance speech, she said her father had “taught me everything I know about acting.”
“Goodfellas” (1990), Martin Scorsese’s acclaimed Mafia epic, came along when Mr. Sorvino was 50 and decades into his film career. His character, Paulie Cicero, was a local mob boss — lumbering, soft-spoken and ice-cold.
That didn’t happen, he recalled, until one day when he was adjusting his necktie, looked in the mirror and saw something in his own eyes. When he saw what he called “that lethal Paulie look,” Mr. Sorvino told The Lowcountry Weekly, a South Carolina publication, in 2019, “I knew at that moment I had embraced my inner mob boss.”
He had made his mark onstage as a very different but perhaps equally soulless character in “That Championship Season” (1972), Jason Miller’s Pulitzer Prize-winning tragicomedy about the sad reunion of high school basketball players whose glory days are decades past. In the original Broadway production, Mr. Sorvino played Phil Romano, a small-town strip-mining millionaire arrogantly having an affair with the mayor’s wife.
Mr. Sorvino received a Tony Award nomination for best actor in a play and reprised the role in a 1982 film adaptation.
Paul Anthony Sorvino was born on April 13, 1939, in Brooklyn, the youngest of three sons of Fortunato Sorvino, known as Ford, and Marietta (Renzi) Sorvino, a homemaker and piano teacher. The elder Mr. Sorvino, a robe-factory foreman, was born in Naples, Italy, and emigrated to New York with his parents in 1907.
Paul grew up in the Bensonhurst section of Brooklyn and attended Lafayette High School. His original career dream was to sing — he idolized the Italian American tenor and actor Mario Lanza — and he began taking voice lessons when he was 8 years old or so.
In the late 1950s, he began performing at Catskills resorts and charity events. In 1963, he received his Actors Equity card as a chorus member in “South Pacific” and “The Student Prince” at the Theater at Westbury on Long Island. That same year, he began studying drama at the American Musical and Dramatic Academy in New York.
Acting jobs were elusive. Mr. Sorvino’s Broadway debut, in the chorus of the musical “Bajour” (1964), lasted almost seven months, but his next show, the comedy “Mating Dance” (1965), starring Van Johnson, closed on opening night.
Mr. Sorvino worked as a waiter and a bartender, sold cars, taught acting to children and appeared in commercials for deodorant and tomato sauce. After his first child, Mira, was born, he wrote advertising copy for nine months, but the office job gave him an ulcer.
“Most of the time I was just another out-of-work actor who couldn’t get arrested,” he told The New York Times in 1972. “I had confidence in my ability, and I was angry as hell when other people didn’t recognize it.”
Then his luck changed. He made his film debut in “Where’s Poppa?” (1970), a dark comedy directed by Carl Reiner, in a small role as a retirement-home owner. Then “That Championship Season” came along, starting with the Off Broadway production at the Public Theater.
The film role that first won him major attention was as Joseph Bologna’s grouchy Italian American father in “Made for Each Other” (1971). Mr. Sorvino, almost five years younger than Mr. Bologna, wore old-age makeup for the role.
He appeared next as a New Yorker robbed by a prostitute in “The Panic in Needle Park” (1972) but did not fall victim to the cops-and-gangsters stereotype right away. In 1973, he was George Segal’s movie-producer friend in “A Touch of Class” and a mysterious government agent in “The Day of the Dolphin.”
Mr. Sorvino later played an egotistic, money-hungry evangelist with a Southern accent in the comedy “Oh, God!” (1977) and God Himself in “The Devil’s Carnival” (2012) and its 2015 sequel. He was a down-to-earth newspaper reporter in love with a ballerina in “Slow Dancing in the Big City” (1978). In “Reds” (1981), he was a passionate Italian American Communist leader just before the Bolshevik Revolution.
He was Secretary of State Henry Kissinger, complete with German accent, in Oliver Stone’s “Nixon” (1995). And he played Fulgencio Capulet, Juliet’s intense father with an ancient grudge, in Baz Luhrmann’s “Romeo + Juliet” (1996).
But in a half-century screen career, Mr. Sorvino’s characters were often on the wrong side of the law. He played, among others, Chubby de Coco (“Bloodbrothers,” 1978), Lips Manlis (“Dick Tracy,” 1990), Big Mike Cicero (“How Sweet It Is,” 2013), Jimmy Scambino (“Sicilian Vampire,” 2015) and Fat Tony Salerno (“Kill the Irishman,” 2011).
And in at least 20 roles, he played law officers with titles like detective, captain or chief. For one season (1991-92), he was Sgt. Phil Cerreta on NBC’s “Law & Order,” but he found the shooting schedule too demanding — and difficult on his voice.
Mr. Sorvino continued to sing professionally, making his City Opera debut in Frank Loesser’s “The Most Happy Fella” in 2006.
His personal life sometimes reinforced his tough-guy image. Most recently, in 2018, when the movie mogul Harvey Weinstein was on trial for criminal sexual acts — and Mira Sorvino had accused him of harassment — Mr. Sorvino predicted that Mr. Weinstein would die in jail. “Because if not, he has to meet me, and I will kill the [expletive deleted] — real simple,” Mr. Sorvino said in a widely aired video interview.
Four months later, Mr. Weinstein was sentenced to 23 years in prison.
Mr. Sorvino’s final screen roles were in 2019. He played a corrupt senator in “Welcome to Acapulco,” a spy-comedy film, and the crime boss Frank Costello in the Epix series “Godfather of Harlem.”
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